Memorialized in his namesake flower the Fuschia, Leonhart Fuchs was a German physician and groundbreaking botanical researcher. He published an immense catalog of his studies in 1543 titled The New Herbal, which paired colorful woodcut illustrations of approximately 500 plants with detailed writings about their physical features, medical uses, and origins. Fuch’s own hand-colored copy remains in pristine condition to this day and is the basis for a forthcoming edition published by Taschen. Weighing more than 10 pounds, the nearly 900-page volume is an ode to Fuch’s research and the field of Renaissance botany, detailing plants like the leafy garden balsam and root-covered mandrake. The New Herbal is available for pre-order from Taschen and Bookshop.
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Hailing from fifteen countries, the individuals participating in Eyes as Big as Plates have backgrounds as varied as their surroundings: there are zoologists, academics, and librarians; fishermen, wild boar hunters, and Sami reindeer herders; and opera singers, kantele players, and artists. They’re tethered by the ongoing project, which dresses each figure in sculptural wearables made of organic materials that allow them to blend in with the surrounding landscape.
Launched in 2011 by Norwegian-Finnish artist duo Karoline Hjorth and Riitta Ikonen (previously), Eyes as Big as Plates hinges on the idea that it’s essential to explore how humans exist within nature. The portraits center on lone figures partially camouflaged with their backdrops or outfitted with imaginative garments constructed with objects found nearby. Boubou (shown below), for example, is a Senegalese fisherman who wears a mesh shawl of sea creatures, while North Tolsta-based photographer Andrea (above) is almost entirely masked by spindly branches and peat near her home. Every portrait comes after a conversation with the subject and a collaborative effort to find the proper location and attire.
The duo has now compiled dozens of photos in a forthcoming book that marks the 10th anniversary of the project. A follow-up to their sold-out first volume, Eyes as Big as Plates 2 is comprised of 52 new portraits, conversations with those featured, and field notes from their travels. “While transcribing the interviews for each of the collaborators here, we got to experience what many of them often say is the most exciting part: ‘ … just being there, looking at a familiar landscape like you’ve never looked at it before. Letting the surroundings wash over you,'” they write.
Eyes as Big as Plates 2 is currently available for pre-order on the project’s site. Some of the series is on view through June at the landmarked entry at 200 5th Avenue in New York and will be up this May at London’s Barbican and at the Harbourfront Centre in Toronto in September.
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We’re continually fascinated by the infinite possibilities of a single sheet of paper, from these dueling origami knights and stately architectural ruins to exquisitely cut depictions of flora and fauna, and a forthcoming book by artist Helen Hiebert devotes its 320 pages to the mediums’ capacity for creativity. Released from Storey Publishing, The Art of Papercraft features 40 projects that elucidate techniques for decorative modifications like marbling and stamping, in addition to more constructive methods like origami and quilling, all done with one sheet. Try your hand at building miniature paper lanterns, assembling whimsical pop-ups, weaving delicate wall hangings by pre-ordering a copy of The Art of Papercraft from Bookshop. (via All Things Paper)
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In the fall of 2018, one of Madagascar’s most sacred baobabs cleaved and crumbled. The ancient giant was estimated to be about 1,400 years old and offered food, fuel, and fiber to the region before its trunk, which spanned 90 feet around, collapsed. Known as Tsitakakoike, which means “the tree where one cannot hear the cry from the other side,” the baobab was also entwined with local lore and thought to house the ancestral spirits of nearby Masikoro people. Its loss was devastating to the community and an ominous sign of how the climate crisis is permanently damaging these centuries-old trees.
Bay Area photographer Beth Moon (previously) has been documenting the species since 2006 and traveled to the region when Tsitakakoike fell. There she captured the cracked, deteriorating emblem along with other baobabs in similar states of crisis throughout Madagascar, Senegal, and South Africa. Shot in dramatic black-and-white, the images are rich in texture and frame the baobabs’ wide, crackled trunks and branches that splay outward into massive tufted canopies.
An act of visual preservation, Moon’s photos show how the massive trees’ exposed roots sprawled across the ground, a sure sign of years-long droughts causing many to become so dehydrated they cave under their own weight. These devastating effects are common in the region, which has experienced significant water shortages and rapid reduction of the baobab population in the last few decades. Moon writes about her visit:
Astonishment and horror set in as Tsitakakoike comes into view. Half of the tree has collapsed; a portion of the sides and back of the trunk remain. Gigantic branches, larger than most trees, lay in disarray at the base of the trunk. The entire spectacle is about the size of a football field.
During her visit, Moon captured dozens of photos, which are on view now as part of an online exhibition through photo-eye Gallery and compiled in a recently released book available on Bookshop. You can see more from her travels on Instagram.
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Lights, camera, say goodbye to the action. A new book titled Movie Theaters is the culmination of two French photographers’ shared attempt to document the grandiose, historical, and now vastly altered landscape of American cinema. Yves Marchand and Romain Meffre have been traveling the U.S. since 2005 capturing the torn vinyl seating, chipped paint, and sometimes wildly transformed architecture of more than 200 shuttered venues. Published by Prestel, the photos are a visual memorial to a once-thriving industry and part of a broader effort to save what remains.
The first public theater in the U.S. opened in 1905 in Pittsburgh, and as a result of the boom in entertainment in the early part of the century, film studios began to commission architects to design elaborate auditoriums that were extravagant in aesthetic and often celebratory in function: ranging in style from Spanish gothic to art nouveau, most feature massive marquees flanking the entrance, ornamental trim lining high gilded ceilings, and rows of plush seating that could comfortably accommodate hundreds of people. “The movie theater was the cathedral of the beginning of the 20th century,” Meffre told Fast Company.
By the end of the 1920s, 20,500 venues were screening films, but that success began to dwindle as people bought TVs in the 60s and again decades later when streaming services became ubiquitous. Following additional closures spurred by the COVID-19 pandemic, that number dropped once more, leaving less than 5,500 theaters open in 2020.
Many of the buildings Marchand and Meffre visited over their nearly two-decade project are either abandoned in states of decay or firmly in their sequel, having been revitalized into new spaces like bingo halls, warehouses, and markets. Paramount Theater in Brooklyn, for example, now houses basketball courts, while others like Fox Theater in Inglewood contain remnants of their once-opulent architecture peeking through the otherwise derelict surroundings.
Some venues, including the strange storage space that was the Spooner Theater in the Bronx, have been gutted or razed entirely since the duo snapped their interiors. “The only thing that’s left is a picture,” Meffre said. “We hope that by showing many remarkable buildings in a state of decay, people will notice.”
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U.K.-based artist Emillie Ferris (previously) has spent nearly a decade refining her distinct embroidery technique, which involves staggering long and short stitches to create textured portrayals of flora and fauna. She’s crafted magical butterflies in smooth gradients, bees that appear as fuzzy as their real-life counterparts, and a variety of realistic portraits that use sweeping, layered passes associated with brushstrokes to render images in fiber.
Now her work culminates in a forthcoming book published by David & Charles titled Paint with Thread: A Step-By-Step Guide to Embroidery Through the Seasons. The how-to volume contains instructions for creating five projects shown here, in addition to tips and tricks from the artist, and is available for pre-order on Bookshop. In the meantime, shop more of Ferris’s tutorials and patterns on Etsy.
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Editor's Picks: Food
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